Julie Dunn
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Julie Dunn (born David Dunn) is an English former composer, sound designer, and programmer. She attended primary school in Brampton from 1953 to 1960, then Erith Grammar School in Kent, and Royal College of Music, training under Alan Rowlands and Anthony Milner, sparking a love for imagery, impressionism, and live performance. She then worked as a tutor at ILEA Centre for Young Musicians, an organist, a school choirmaster which performed on Capital Radio, and head of several music departments.
In 1982, when Dunn had already acquired a VIC 20 for unknown reasons, a salesman of a British retailer talked her into trading the VIC 20 for its successor, the Commodore 64. Dunn then made her only proactive attempt to get into the video game industry by phoning Rabbit Software, but did not get an actual response.
Later, she went to a computer shop in Dartford, Kent to ask for something faster than BASIC. This was suddenly answered by another customer, namely Anil Gupta, the co-founder of Anirog Software. When Dunn mentioned writing music, Gupta eagerly asked her to write something in machine code. Dunn created a driver and a demo program playing three covers illustrated by slightly animated PETSCII art. Gupta liked it and asked her to present some proposals for an intro song for Anirog's latest development, Flight Path 737 (C64), at their place. The second proposal was very well received and made it into the game.
Dunn's best clients were Anirog, their successors Anco Software and Red-Arrow Software, Ocean Software, Personal Software Services, Mastertronic and Codemasters. She considers 1986 her decline, reasons including growing competition through Compunet and in-house musicians (specifically Martin Galway at Ocean), increasing boredom with coding, and the limitations of 3 voices.
After more years, Dunn changed her life and studied psychiatric nursing in London, worked at a forensics unit, led a psychiatric-admissions mother and baby unit, bought a retirement home, eventually went into retirement either, and at some point, changed gender. Her influences include Paul McCartney, Ray Davies, Burt Bacharach, Marvin Hamlisch, John Ireland, Richard Wagner, and impressionist works. She dislikes repetitive jingle-jangle.
Audio Development
Commodore 64
Dunn developed a driver. The programmer of Gilligans Gold (C64) helped her optimize it, and the programmers of The Dark Tower (C64) and Elite (C64) optimized it for themselves.
To arrange a track, she initially entered numbers that corresponded to pitches at 424 Hz, and to commands for instrument changes. She also had separate drivers for 3-channel music and 2-channel music, the latter leaving other programmers 1 voice for sound effects. By 1986, she had started entering chromatic notes instead and arranging 3-voice sound effects herself. Most tracks are preceded by the byte DDhex, which was likely her signature, especially since it has no valid meaning to the driver.
Dunn is still praised for her use of SID's built-in filter. However, also by 1986, she must have noticed that the filter varies with every chip, as her driver had no filter functionality ever since (except for the delayed Escape from Paradise (C64)). In VICE 3.2, her audio sounds best with 6581 (ReSID) and a bias of -75, although how close it is to her setup(s) is unconfirmed.
Elite
Dunn said this in an interview with C64.COM regarding how she ported over Aidan Bell's title music:
Gameography
Picture Gallery
Her website, 2016.
Links
- web.archive.org/web/20160313124027/http://www.puremelody.com - Official.
- mobygames.com/person/51417/david-dunn/ - MobyGames.
- copainsdavant.linternaute.com/p/david-dunn-17745475 - Copains d'avant (a French Classmates.com).
- facebook.com/julie.dunn.1690 - Facebook.
- twitter.com/puremelody - Twitter.
- drive.google.com/open?id=0Byfhj-Alj58DRk4wMllyTEpsM1U - At Back in Time Brighton 2015, hosted by Ben Daglish.
- c64.com/?type=4&id=45 - Interview from 2016-02-11.
